August 2009 Archives

TOUR, DAY 4: Los Angeles

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In the morning after the Honey Hive show, we went to Berkeley to find breakfast.  Marilyn from Fleabag recommended a Chinese vegetarian restaurant, but Claire and Sarah again went off in pursuit of "normal food."

We returned to the Honey Hive after breakfast, packed up, gave and received lots of hugs.  Sarah and Claire got on the road right away, as usual, but Jessy and I were determined to stop at Amoeba before we left the Bay.  We went back to Berkeley, wandered around Telegraph until we found Amoeba, and proceeded to act like total tourists.

As we drove south, we had been making a list of the records we needed in the car, albums that would make this The Ultimate Road Trip.  These included Veruca Salt (Jessy and I had already decided to start a mid-90's style girl band), Indigo Girls, and Defiance, Ohio.  We checked all of these things off at Amoeba.  Uh, and then some. 

amoeba.jpg(photo: me)

"We can't buy vinyl!" we told each other.  "Seriously, that would be so dumb.  That is a recipe for disaster.  Vinyl in the hot car in August in California?  WARP CITY."

So we only bought one seven-inch each.  I got a Team Dresch.  Jessy got this.

le club des chats.jpg(photo: Jessy)

Then we started our trip to LA- it was already 3pm when we left Berkeley, and we had to be in LA by 9:30 or 10 (our set was at 11), so we would be cutting it close even without bathroom and food breaks.

We should've just stayed in the Bay.  Our trip further south was clearly cursed from the outset.  To begin with, we took the wrong freeway on-ramp and didn't realize it until we were half an hour out of Oakland and Jessy was like, "Um, isn't Sacramento north of the Bay?"

Fuuuck.

So by 5:00, we were going the RIGHT way down the freeway, and really, it wasn't so bad for most of the way- just freeway for miles and miles, nothing new.

In fact, we were only an hour or two out of LA- and, barring no further impediments, we'd make it to the club by 10:30- when we hit traffic.

Again, fuuuuck.

They were doing roadwork on 1-5.  And yeah, it was like 9pm on a Sunday night, but in the mood I was in, it seemed like the most unreasonable construction decision IN THE WORLD.  On top of this, Jessy and I were both getting realll tired; we had the A.C. on and the music loud.

Of course, the traffic did not really let up once we started getting to the LA exits.  We were supposed to take the Pasadena Freeway exit, but we didn't realize there were multiple Pasadena Freeway exits (we wanted the fifth one, as it turned out) until we had driven for ten minutes with no sight of Broadway.

So we turned around and called Johanna for help.  Johanna is Sarah's friend from high school workship band- post-evangelical megachurch adolescence, both turned homo and kept playing music, and now Johanna Chase is some sort of acoustic phenomenon to see.  It was her birthday show that we were playing, at a club called the Airliner- the online reviews had us kind of worred, consisting of things like, "I saw the bartender beat a dude with a baseball bat outside of the venue last night"- but we knew Johanna wouldn't let us down.

So we called Johanna, and over the course of several freaked-out phone calls, she calmly coached us on which exits to take, until we finally got our bearings and pulled up outside of the Airliner.

Johanna's band had just started playing, and they were good.  Probably not the sort of stuff I'd usually find to listen to on my own, but totally amazing.  The room was full of Johanna's friends, and she was sweaty and beaming when she finished her set.  All four of us were dazed and exhausted from the drive, but Johanna gave us huge hugs and the warmest welcome we could imagine.

Before our set, we sat on the back deck of the club, hanging out with Johanna's friends and the DJ's loud bass beats.  I didn't expect to be able to see the stars in Los Angeles, but when there they were, in the warm LA sky, just a handful that were bright enough to be visible between the palm trees.  And holy cow, it is midnight on a Sunday night, we are in the middle of LA on a beautiful night getting to play music with friends- how the fuck did it happen that we are the luckiest kids in the universe?

Tired beyond giddy (that was Oakland), now just bordering on incapacitating exhaustion, we set up our gear and barely sound-checked. 

set list.jpg
shift artists collective.jpg(photos: Jessy)

Our set was good, I think; but the folks were there for Johanna's birthday, to celebrate and hang out, and I'm not sure how much we were the sort of music they are into.  But Johanna and several of her friends were in the back, clapping and dancing, and we played as hard as we ever do.  A couple kids came up to us afterwards, saying they liked our set, which was really nice.  Back on the deck, an acquaintance of Johanna's started talking to me.  "How do you guys know Johanna?" and I explained the worship band --> gay story.  "So is all of your band lesbian?" she asked, and I know she meant well; but it was odd having a stranger ask me point-blank about my sexual orientation.  Maybe it wouldn't have been so weird if she hadn't seemed so clean-cut in a distinctly Christian sort of way, and hadn't asked it in a manner that so smacked of anthropological curiosity, rather than fellow-queerness or ally-solidarity.

"Well, uh ..." and I started to explain that we were all queer, that we all identify differently (and kept thinking of an old old Sleater-Kinney interview I read, where a fan was like, "So I know Janet is straight, and Corin is bi, and Carrie, you're a lesbian, right?" and Carrie acidly replied, "I'm glad you've got us all figured out so neatly ...").

She wanted to know more about what "queer" means, if it's not a bad word anymore- is she allowed to use it, even if she's not gay herself?  And I was like, "yeah, if you're an ally and you hang out queers and stuff, I guess ..." I mean, I don't know- as one queer, is it a badge I get to give out to deserving straight folks, whether they get to use that word or not?  It's one in the morning and I'm exhausted in LA, I don't even know which way is up and no, I can't tell you, well-meaning but confused gal, whether or not you get to use that word.

Then she asks the Big Question, that I kind of felt was coming for a while (come on, I didn't hang out a bunch of evangelical Christians in high school for nothing- I could see this one coming from miles away):

"So, where is your band at, spiritually?"

UHHHHHH

(Later that night, when I was relating this story to Claire and Sarah and Jessy, I got pretty riled up about this, cuz man, that's a real personal question; and how does MY personal spiritual identity have anything to do with these two other people in my band?  How would I have any right to speak for all three of us on such a personal matter?  And anyway, what right- not to mention the condescending moral self-righteousness implied in asking that question- does this drunk lady have to ask me this?  But at the time, I was like, "whatever, baby steps, we're having a dialogue, now is not the time to be confrontational," etc.)

So I explained that I had grown up Catholic, and before I got anything further out of my mouth, she was like, "Oh!  Me too!  But only till I was 16," and before I knew it, we were discussing feminist theology (which, admittedly, is not the sort of conversation I have frequently, and was a pretty rad, albeit very watered-down, surprise).  I learned that she is a fan of Sara Coakley but not Mary Daly.  Fair enough.  She is going to get her "M. Div." at Duke and then wants to work in inner cities doing sustainability stuff, but when I mentioned that we had been in Oakland last night, she was like, "whoa, that place is scary, right?"

And I was like, "Girl.  You say you're going to the inner cities?  GOOD FUCKING LUCK."

Except I only said that part in my head, along with a lot of other muttering about evangelical Christianity and class and race and privilege that I then unloaded on J Murph when we were in the car the next day.

And this whole time, the next band was setting up, even though it was already past last call; they had a ton of laptops and other gear, and were having a series of problems with all of their cords.  I extricated myself from the conversation, and Jessy and I headed to the car to get some sleep instead of finishing out the show.  We passed out immediately, not waking up until Claire knocked on the window for us to load out our stuff.  Claire got a hotdog from a street vender outside of the club and I saw two cockroaches scuttle across the sidewalk.  "Welcome to LA," one of Johanna's friends triumphantly told us.

We followed Johanna and her friends to their two houses- "it's real close" means I guess a 20-min drive in LA terms, maybe.  The houses were huge and Jessy and I couldn't figure it out- what was this house full of college kids doing in a mansion in the middle of a street full of mansions?  Johanna showed us the studio she was building in the garage (the real deal, control room and everything).

Then we had to figure out our plan for the next day.  We were supposed to be in Arcata by 8:30 the next night, which would be a ten hour drive.  Already, it was 3 am, which would give us absolutely no more than five hours, at the most, to sleep.  Claire thought it was totally unsafe for us to try to make that drive- Sarah hadn't brought her glasses, and therefore couldn't drive for more than an hour at a time, and Claire couldn't sleep in the car, and neither Jessy nor I could drive Claire's car, because we couldn't drive a stick.  On the other hand, I was afraid that we would be burning bridges in Humboldt County if we didn't play the show, and the booker for the Arcata show had been one of the nicest, most helpful people I encountered when I was booking the tour, and I felt personally accountable.

Eventually, we decided to sleep in until 10 am and then figure it out from there, see how the drive was going, maybe be late, and just call the booker and let him know where we were at.

That decided, Jessy and I passed out in some girl's bed who was out of town, and Claire and Sarah went down the street to stay at Johanna's house. 

What a night.

TOUR, DAY 3: Oakland

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It is impossible to speak of this day without using ridiculously exaggerated language, such as "BEST DAY THE WORLD HAS EVER SEEN," "MAGIC," "BASICALLY HEAVEN," etc.  This is just how it goes sometimes.

Here is how it started.  Not so famously, actually.  Claire slept restlessly in my cold mildewy tent, and Sarah not at all; so they decided to hit the road at 8am, five hours after we arrived at the campground.  Jessy and I figured we might as well do the same, so we packed up the tent and snuck out of the campground without paying for our short stay.  Claire and Sarah got on the highway and drove straight to San Francisco, but Jessy and I started our morning in the Redwoods.

It was still misty in the trees, and we would've lingered longer in the Avenue of Giants if we didn't both have to pee super bad.  After finding a visitor's center restroom, our minds were clear and we could again totally focus on our amazing surroundings.

Shit like this.

taxidermy.jpg(photo: Jessy)

Oh, what's that?  Just AN ENTIRE CASE OF TAXIDERMIED WILDLIFE.  Duh.

Because the thing is, Jessy loves taxidermy.  Like, LOVES.  We spent at least 45 mins in this visitor's center, petting fox skins, examining the skulls of wild pigs, and hanging out with stuffed screech owls and coyotes.  I think this might have been her personal conception of heaven.  The only reason we were able to tear ourselves away was because we had a mission: finding the giant tree you can drive through.

Okay, and it actually wasn't that much of a mission, or even that hard to find, because there were lots of signs and it was right off the freeway, the Chandelier Tree, and it only took us, like, 15 mins.  BUT WE DROVE THE HELL OUT OF THAT TREE. Thus accomplishing a life goal of mine that I have cherished since age 4, when I saw a picture of my dad's family's station wagon driving through it during a 1960's family roadtrip.

chandelier tree.jpg(photo: J Murph)

It was at about this point in the trip that Jessy and I realized that we were the ultimate travel companions.  Because all we wanted to do was stop at the same weirdo Americana tourist traps, buy the same shit at every gas station, eat the same food, listen to Liz Phair over and over.  We realized this as we rounded a corner and saw the LEGEND OF BIGFOOT and I didn't even need to ask if we should pull over.

the legend of bigfoot.jpg(photo: me)

For the record, this place had NOTHING to do with Bigfoot.  This is what they did have.

howdy.jpg
gnome.jpg
blue fairy.jpg
(photos: J Murph)

Also, HELLA windchimes and dreamcatchers and more Redwoods memorabilia than you can shake a stick at.  And, most importantly, SWEET Davy Crockett hats. Best purchase of the whole tour.  We wore ours for the next two hours, until it was just too fucking hot; but we were real popular with the four-year-olds we ran into at the gas stations.

We stopped in sweet Laytonville for gas and instead found our hippie food salvation.  We gave up on the cooler after day 1, which made it a heck of a lot harder to eat good food on the road- we had been contenting ourselves with crackers and dried fruit and warm hummus.  I was starting to cave into trucker food, and Jessy was kind of surviving on a bag of vegan cookies she had gotten in Portland.

Anyway, we found major hippie food store, stocked up on fruit smoothies and hummus wraps and fresh fruit.  It was an unexpected discovery, and we referred to it with great longing once we hit the great wasteland of mid-CA.

vegan spoken here.jpg(photo: me)

And thus it was that we stretched a 5.5 hour drive into something over 7 hours: stopping at every rest stop gas station kitsch hut for miles, all the way through the Redwoods, until we got out of the trees, listening to Uncle Tupelo with the air conditioning on all the way.   When this was all we saw for miles.

scrub.jpgWe stopped one last time, pull off on the side of the road when we saw a little river in the heat.  Only long enough to run out of the car, across the half-dried-up rocky river bed, and up to our shins in a little swimming hole; then back to the car.  "This is total serial killer country," Jessy warned.  "I've watched too many David Lynch movies not to know that."  I was like, "Girl.  We're from Bellingham.  We LIVE in serial killer country."  But we were still creeped out, the two of us in the deep heat on a side road in the middle of nowhere, and we didn't linger.

rocky river.jpg(photo: Jessy)

I grew up out in the sticks; when did rural areas start scaring me more than big cities?

So we drove; and we drove; and it was hot, and brown, and eventually the empty land turned into an unending string of exits and traffic and civilization.

Traffic.  All the way into the Bay Area.

But then we hit the bridge, flying over it with our windows down because the chill fog was such a welcome break from the heat up north; singing along to Yes, Oh Yes and constantly exclaiming about what we were seeing.  Whoa, motorcycle!  Whoa, island!  Whoa, buildings!  Jessy was filming the whole thing, camera out the window as official band documentarian, until the wind snapped her viewfinder closed.

And yeah, we got a little lost, a little turned around, took a wrong exit and some wrong turns, but finally found San Pablo in Oakland and turned onto 55th and HONEY HIVE.  And seriously, this is where the good stuff really starts, where the day went from "pretty great" to "absolutely fucking fantastic."  Because we hadn't had a show in the Bay Area until really, a few weeks before tour; we were supposed to play some dude's garage in Redding, but the cops busted that place, and that was probably for the best, anyway, because the venue's myspace picture was a girl's short-shorted ass up against the hood of a car- anyway, Alanna and Songs for Moms couldn't believe that we didn't have a show in the Bay, and they called some folks up and put a show together for us at their friends' house in Oakland, the Honey Hive.

This was our only house show and our only all-ages show for the tour, and I kinda knew it would be great, because of everything Songs for Moms had told us about Oakland.  But I was completely unprepared for the Honey Hive.  When we arrived, David and his friends were recording an album downstairs; Lisa was upstairs, making a vegan feast for us with veggies from their backyard garden (!); the house was full of pets and friends, visitors and roommates, neighbor kids stopping by, little sisters, good vibes.

sunflowers.jpg
fridge.jpgbike.jpg
chicken.jpg
(photos: Jessy)

Yep, that's a chicken hanging out in the backyard.  When we first drove up, a squirrel was pillaging the sunflower seeds in the front of the house, dangling upside down from the big flower heads.  Claire and Sarah showed up a few hours after us, all of us so tired we just sat in one of the empty bedrooms (house of 8 people!  5 out of town!) and dozed, not even with-it enough to help make dinner.

Songs for Moms were just getting back from tour that afternoon, six weeks on the road and about to play a show with us and Fleabag.  But Molly was sick as a dog, and they had dropped her off at her parents' house as soon as they got into town; and Brad had recently broken his hand; so both bands were drummer-less and unable to play.  And while it would've been rad to play with them, it was also real nice just to hang out in the backyard with Alanna and Carey and Jamie and hear their tour stories.

Ah! Ah!  I don't even know where to begin the next part, because everything happened so fast and I was so busy having fun and meeting people to take any kind of photos or anything.  Jessy and I went to the liquor store with Carey from the Moms, and when we got back, the party was starting, hot girls everywhere ("Everywhere!" I said to Alanna, and she said, "Just looking out for you, Jenn," and maybe she even winked?), cute homo boys leaning on bikes, us getting the out-of-towners once-over.

And then Riley from B'ham rode up, visiting her family in Oakland and completely shocked to see other B'hammers walking down the street; then we walked into the house and there was Anna and Dendron, who had played at the Kasa Sutra last month; and all of Fleabag, even Brad with his broken hand, and Joe handed me an Aye Nako tape.  A whole roomful of familiar faces!  And I was glad I had gear to carry, to give me something to do, because there were so many hot people!  and I was too shy to make small talk with any of them.  But even the folks I didn't know, they were all so friendly, starting conversations in the kitchen while waiting for the bathroom, asking about tour, offering booking help in other cities.

Mark played first, a good sport for being a last-minute replacement for Songs for Moms; he was one of the dudes who had been recording in the house when we first arrived.  Then Angry Men.

WHOA.

I mean, I knew they'd be good, an all-lady band called Angry Men made up of Bay Area Girls' Rock Camp volunteers; but holy cow.  They played some sort of deep fuck no-wave, shouting about "I'm angry because I'm a BUSINESSMAN!" 2/3 of the band with admirable mustaches and the bass player wearing a "men at work" shirt that crossed out "men" and replaced it with "women."  The guitarist worked a Dawn Weiner look that was so amazing.  And on the wall behind Naomi's drumset, they had a banner that was like something me and my friends woulda made- it was like we had found our Ladyfest sisters or cousins in another city, same vibe as our lady-crew but with new faces and new ideas and different ways of manifesting.

angry men.jpg(photo: Jessy)

Look at those LOL hearts!  "look good + feel good"!  feminist OMG!

It was one of those shows where I couldn't do anything but grin and look around me in amazement.  Deeply tough and joyful ladies making music to a roomful of friends.

And there aren't any photos from the rest of the night, because I was too busy getting totally crushed out on Oakland, but maybe some of Jessy's footage will emerge at some time.  The evening, sans visuals:

Crowded living room, we set up our stuff, Alanna running sound.  Did the same set we did all tour.  Two things I have learned about tour: one, that playing on little sleep and long drives can make the best shows- you just squeeze all your energy into that half-an-hour and let all of your stress and exhaustion just spill out between the guitar strings.  Two, that it is way more fun playing to people who don't know us- we feel like we've got something to prove, win 'em over, and it makes us that much better.  3 days glory and exhaustion + the most incredible crowd we had met = total fucking combustion.  We were all almost falling apart, taunting each other with the riffs- anyone who denies the total [homo]eroticism of making music with other people, I do not understand, the act of creating noises with two other people can get crazy sexual sometimes, egging each other on and speaking with our bodies and instruments and only gasping and shrieking when we use our mouths- and then, mid-jam-out, Sarah started playing the "Rhiannon" riff and I couldn't even think, the jam was so intense.

We ended with "Lockwood and Lamont" and I looked up from the kiddie accordion and saw that everyone in the front row was clapping along with Claire's beat.

After that, we got asked to play another song, but we didn't have any more, I think we just did Sarah's unnamed "Sweet Adeline" song, just acoustic guitar and three-part vocals like we're suddenly the fucking Fleet Foxes or something; then we put our stuff away and Jessy started selling our merch.

Then there was half a bottle of wine (the only show of tour that I drank), and me standing in a corner being too shy to talk to the Oakland girl I've had a crush on since July, and Claire and Sarah and Jessy egging me on (it worked), and backyard hangouts with Songs for Moms and Fleabag, and trading contact info with so many new friends.

Then we all laid claim to the various unoccupied bedrooms of the Honey Hive, made midnight snacks of Lisa's zucchini bread in the kitchen, and fell asleep somewhere around three or maybe four a.m.

Truly, ONE OF THE GREATEST DAYS OF MY LIFE. 

A day which shall live in tour history forever.


honey hive.jpg(photo: Claire)

God bless Oakland and the Honey Hive.

TOUR, DAY 2: Eureka

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So that was Portland.

But before we left, Autumn took us out to breakfast.  Jessy ordered her food without cheese or something, and the waiter was like, "You mean, vegan?"  As he left, Jessy said, "This is why it would be so easy to live here.  THEY KNOW WHAT A VEGAN IS."

Claire, however, is not vegan.  In fact, she and Sarah kept ditching us for what they called "normal food."  Anyway.  This is why the bacon-infused Bloody Mary (house specialty) seemed like a good idea for our drummer.

bacon bloody mary.jpg(photo: Claire)

Then we broke.  Sarah and Claire headed for the freeway, and Kooper jumped in the car with me and Jessy in an anxious drive to the train station.  We got her there one minute before departure time, squished into the passenger seat next to Jessy; we use the restrooms*, then hit I-5.

And we were right: the drive to Portland was too familiar, but after we started heading south, it felt like we were actually on tour.  I slept through the middle of the state, but in Southern Oregon we saw twisters, farmland, the first of the serious truck stops- the "there's nothing else around here for miles, so this is your only option for gas/food/bathrooms.  deal with it." truck stops.

Then we saw the Enchanted Forest.

South of Salem, there is an old-school roadside attraction amusement park, all animatronic figures and fairy tale-inspired gumdrop houses.  From the freeway, we could see Bavarian cottages and were like, "HOLY SHIT.  WE WANNA GO!"  But we drive slow, and Eureka was still hours away, so we continued on wistfully.

And this was the weird part about taking two cars: sometimes it was like we were on a completely different trip than Sarah and Claire.  During the daytime, our two cars did completely different things, uniting only in the evening for shows.  In this instance, my bandmates drove at record speed (I didn't even wanna ask how fast) in order to spend two hours at the Enchanted Forest.  When they showed up in Eureka, they were wearing Enchanted Forest t-shirts and Jessy and I were full of envy.  Wanted to go there sooo bad.  We missed out on stuff like fucking historical reenactments (a necessary part of any amusement park):

babraham lincoln.jpg(photo: Claire)

But while they were hanging out with Abe, we were hitting Grant's Pass and the 101.

Neither Jessy nor I had ever taken the 101.  So it came as a complete fucking surprise when we got to Crescent City in the late afternoon and saw the ocean.  We were going off of Mapquest directions, and had had no idea we were so near the coast.

And for us, this was the real ocean.  It wasn't cluttered with islands and other obstructions, like the Puget Sound; it was just water, all the way out, blurring into the sky.

HWY 101.jpg(photo = me)

We rounded a curve in the road and pulled off to beach and surfers (surfers!  truly California now!).  We threw off our shoes and ran straight to the water.

j murph at the beach.jpgIt was cold, and our feet were sandy and frozen when we got back into the car; but it was so, so worth it.  This isn't just tour, this is vacation; like, the ultimate vacation.  Not hanging out in the minivan with your family, but driving with your bandmates and best friends to play music in new cities, see old friends and make new ones, check out weirdo and beautiful places along the way, eat shit food and glory in it when you find hippie food, no sleep and long drives and lank hair.  Tour is an excuse for everything.

Jessy and I kept stopping along the 101, every half hour or so- we couldn't help it, it was so breathtaking.  We watched the sun set orange into the Pacific.

Then we started hitting the hills.

They were like the hills as you drive into Bellingham, deep and huge and rolling at dusk, dwarfing our tiny car on the empty highway.  But this was the difference: the highway WAS empty.  There were no lights, of houses or towns or developments or gas stations, in these hills.  They were bigger, wilder, and in the still-warm evening air, I would even say that they seemed gentler- not the home they claim to be for Bigfoot.  That's for our deep dark places on the Peninsula.  With all of the hippie-kid hitchhikers and separate recycling cans at the rest stops (paper, plastic, glass, just like home), Humboldt Cty was an oasis.  "I could totally retire here," I told Jessy.

And then we hit the redwoods, and the long drive leading up to Arcata and Eureka.  We listened to Mirah hum and pluck her way through old songs as night fell.  In these empty hills, even if they're no Sasquatch home, seemed like they should be hiding things older and more prehistoric, like maybe a brontosaurus would suddenly crane a neck out of the tall trees.

The drive started to get long, with all of our stops, and Eureka never seemed to arrive.  Finally, we drove down quiet downtown streets to the gay bar we were playing at, Aunty Mo's.  I've always been told that Arcata and Eureka are so like Bellingham, but this was a Saturday night in summer and there was no one on the streets; it felt more like a Monday in Bellingham than the weekend, even for a college-type town.

Since Claire and Sarah had lingered at the Enchanted Forest, we beat them to Eureka by a good 45 minutes, a small victory.  Jason, the owner of the bar, was a big 45-year-old bear of a man; he welcomed us with handshakes that quickly turned to hugs, and introduced us to everyone around the bar, all 6 of them.  We were sharing the evening with Chad Duran, who was raising money to publish the second book in his Aloha Freddy trilogy. 

Jessy filmed me interviewing Chad about being a gay author and his advocacy for the LGBT community, especially other queer authors; he was in his forties, and in his kindness and generosity seemed super stoked to be sharing the bill with a bunch of young fellow queers.  He sold me a cupcake for a quarter, and a raffle ticket for a dollar; he told us about Eureka and his coming-out and the guy he had a crush on, who was supposed to emcee the event.

The crowd was small (really, only a handful of Chad's friends and supporters; Ande, the resident badass dyke bartender; and several folks just hanging out); but everyone was so welcoming, so kind.  It was funny, that in this small-town gay bar in Northern California, we found queer community.  But that's totally what it was- it didn't matter that there were generational differences, or that we were from out of town, or that we were ladies and almost everyone else was 40-something gay guys.  What mattered was that we were also queer, so we were on the same team, and they would cheer so loud for us, buying us shots and promising to stay in touch.

aunty mo's.jpg(photo: Jessy)

We didn't sell a single cd, except maybe to Chad, who I think bought one of everything.  But Justin paid us generously and apologized for the lack of crowd- "school doesn't start until Monday, then this place will be packed"- and we wanted to tell him that his place was amazing.  There were wigs along the upper balcony, and fliers for Sisters of Perpetual Indulgence benefit bingo nights.  The music was classically gay, all Freddy Mercury and Madonna and new pop, and we danced until 1am on the empty dance floor.

There was one event to mar the night, though- as we were sound-checking, some dude sidled up to Jessy at the table where she had set up our merch.  She'll tell the story better, but it was something along the lines of, "I've never been here before.  I'm straight, I feel really out of place," and Jessy being like, "Really?  I DON'T."  And either he didn't take the hint or he ignored it, because then he offered her a sip of his drink- except he had two drinks, one that he was drinking out of and one that he offered to her.  Jessy responded with "No thanks, I've got a beer," and his attempted roofie-ing failed.  She told us this after the show- he had been the bro'd-out dude dancing real vigorously for the first few songs, and she thought he had gotten 86'd after that for harrassing another girl.

So J Murph escaped unscathed from that encounter, but not from the shots that Justin offered us.  They were called Grizzly Bears, some mix of Kahlua and other stuff. 

grizzly bear.jpg(photo: me, using Jessy's camera)

Since I don't really drink much, Jessy took mine as well as hers.  There must've been something dairy in it, because Jessy's long-time-vegan stomach rebelled against her for the next two days.

We didn't have a place to stay in Eureka, but we had passed so many campgrounds on our way that we figured we wouldn't have long to go before hitting another.  Claire and Sarah really wanted to get a cheap hotel room, but I was determined to be a mtn man and make use of my dad's tent, which I had brought along.  We stopped for gas outside of Eureka, 1:30am in the middle of nowhere, four obviously-queer women wearing what my mom usually calls "get-ups" and for us are just city-kid hipster clothes- the young dudes hanging out at the gas station, keeping their friend company as he worked, clearly didn't know what to make of us.  They couldn't really hit on us, but kept making awkward friendly conversation, especially entertained when Jessy bought a plastic horse necklace for like four bucks or something.  They told us the KOA down the road was $30 a night for camping, so we kept going.

We drove a good hour, maybe more, watching every green highway sign for the telltale "camping" triangle.  Finally, we found a little town, no more than a few log stores and mobile homes and an RV park/campground.

And THE ETERNAL TREE HOUSE.

eternal tree house.jpg(photo: J Murph)

It was the witching hour in Redcrest- which was, someone whispered as we left the cars and tiptoed through the parking lot- "the sort of town where they kill queers."  The sort of town that is so small that when cars drive through at two in the morning, everyone hears it and makes breakfast conversation of it the next morning.  So we were real quiet (but maybe still too loud, giggling and pushing each other, tired and giddy and creeping each other out) as we followed the little trail to the Eternal Tree House.

From what we could see in the dark, it is a little hovel carved out amid the roots and trunk of a redwood.  A motion-sensor light flipped on as soon as we stepped inside, making us jump and making visible all the spider webs and years of graffiti.  "Let's camp here!" was what Sarah and Claire were advocating, but Jessy and I were on the "fuck no!" team.  So we pulled into the campground across the street, probably woke up all the other campers with our giggling and arguing.  You had to have a code to use the bathrooms, so we all gleefully peed next to the restroom building.

I pitched the tent, insisting I was being butch. Sarah and Claire grumbled about hotel rooms.  Everyone complained that the tent reeked of mildew (my fault, I didn't air it out last time, SORRY DAD I'M IN TROUBLE NOW).  And then we passed out, four unshowered girls in one 30-yr-old tent in the middle of Humboldt County.

tent.jpg(photo: J Murph)

*Pee breaks, for Jessy and I, happened about every 45 minutes.  This is why, in conjunction with major speeding, Sarah and Claire beat us to almost every location by about two hours.

TOUR, DAY 1: Portland

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We spent all morning on last-minute packing and gluing together copies of our EP.  Claire and Sarah took her VW GTI, merch femme/roadie Jessy and I drove my brother's little Toyota.

What do you do between Bellingham and Portland?  It's a drive I've made several times a year for the past four or five, so it didn't even feel like anything out of the ordinary.  Traffic, Tacoma Dome, familiar rest stops.

There was traffic, there were repeat plays of "Fuck and Run," there was a little bit of confusion about which bridge to take; but Jessy and I know Portland just enough to get us around, and we got to this place at the exact same time as Sarah and Claire:

red and black cafe.jpg(photo: Claire)

Exactly what I expected from a vegan anarchist cafe in Portland: radical literature, scruffy anarchist kids, good food.  Sorry, wait: AMAZING food.  So good that on our way back to Olympia at the end of tour, Jessy and I stopped off in Portland again for homemade hummus and tapenade sandwiches.  Seriously, it was what the Swan Cafe wishes it could be.

And we knew it was an okay-sort-of-place when we saw this dude overseeing things.

the boss.jpg(photo: Jessyca Murphy)

Below the mirror in the bathroom, someone had scrawled "Look at that fucking hipster," and it was maybe the most apt thing I saw on the whole trip.

We had some time to kill, wandered down the street, hung out in a park that had lots of dudes holding paper bagged-bottles and napping on benches, then found the Slammer.  Jessy says it best here, but holy cow.  Rhoda was a feathered-hair vision: she snapped her gum and called us all "babe,"  looking like she stepped straight out of 1983 with her tight tight cut-off Levi's and blue eye shadow.  She knew everyone in the bar by name, and we fell collectively in love.

Back at the Red and Black, we played an (unpracticed) acoustic set to three active listeners and six other eaters and computer-users.  It was so small we just all three shouted, no mikes; and with no stage, it was the often-shy-making experience of being on the same level as your audience.

Lots of former Bellingham kids showed up during and after the show, until there were more B'ham expats than there were Portlanders in the cafe.  Since some old friends had missed the show, we played two more acoustic songs on the sidewalk outside as it got dark, and everybody was loud and rowdy with reunions and beer.

This is Autumn and Kooper.  Koop is one of our no. 1 fans, stopping off in Portland on her way to Eugene just for our show.  Autumn is her BFF, an unspeakably-rad dude who let us crash at her place, a house that was just a few blocks from the Red and Black.

autumn and koop.jpg(photo: J. Murph)

Autumn is from Detroit and calls ladies "broads" and has her own personal dialect that is mind-blowing.  In what was the first tour example of "the west coast is this big," Autumn and Kooper met through one of my friends from high school.  Who they both dated.  It was weird.

After the show, everyone sat on laps in our too-full cars and Autumn took us to an Irish pub near her house.  Lots of Big Buck Hunter and too-tired drunk hang-outs in the beer garden before we crashed super hard on couches and floors back at Autumn's place.

tour magic

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Let's be honest: one of the things that is most exciting to me about going on tour is one pair of clothes/no showers for a week = normal.

Let my full and natural laziness blossom in these circumstances.  I will be dirty and sweaty and so happy.

We leave tomorrow.

breakfast for dinner, pt. 2

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Esme asked who's on the comp.  Here's the rundown:

Donkey Skin
Nick Duncan
Coty Hogue
So Adult
Femme Uke
Cumulus
Council of Lions
Connecticut Four
Stuck
Aryeh Gonif with Tansy & Tarweed
Party Thighs

All brand brand new!  Only three or four of these songs have been released before.  And you know how you see a band, sometimes, and they are amazing; and you can't wait for them to record something, so that you can listen to it over and over again?  Then they go and break up or fall apart, and nothing ever gets recorded; and all of the magic that was happening between those people kind of disappears into the ether? 

That's kind of what is happening with Donkey Skin, and I feel ridiculously lucky to have my hands on a recording.  The nugget of song that lives in this live recording of a winter house show on Indian St. makes me catch my breath, it is so good, and it makes me want to start writing song after song that are as fine as "Balthazar."

party thighs

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"Cat Pee Girl" has been stuck in my head all weekend.

breakfast for dinner

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This is a compilation of brand-new Bellingham bands.  Out on Tuesday.  $3.  Email me if you want a copy.

breakfast for dinner.jpg

homorrific

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All I want to do tomorrow is watch "Breakfast Club" and glue together cd sleeves.

Homo a Gogo is right now.  HUNX and his PUNX are about to perform.  This is basically what I dream of the band "BUSINESSWOMEN" being like, if Sarah Lloyd joins it:



Also at HAGG: "interactive fisting art."  OMG.

homo a gogo.jpg

NJ's best

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throw some shit together, call it art.

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A few Fridays ago, I was real tired and should've just gone to bed, but instead I stayed up till 4 in the morning cleaning my room and listening to Fleabag.  I listened to that tape, the same five songs on each side, for four hours- just kept flipping it over and over.  It is that good.  I have a shirt, I have a tape, I have a poster, but if I didn't have these really concrete signs that I did, indeed, see them play a few weeks ago, accidentally (their other show fell through, they got added to the bill last-minute)- I would kind of doubt that they even exist.  Because there is no internet evidence of them- no myspace, no blog, no record label, no concert listings outside of (I think) one or two house shows I saw on a messageboard or something.

So here is what I know about them: they are from Oakland.  Marilyn plays guitar and sings, Joe plays bass, and Brad (who used to be in Punkin Pie) plays drums.  They have a cassette out.  It has five songs on it and they are all fucking glorious pop-punk.  In the kind of way that makes you nostalgic for three-piece punk bands from the 90's, muscular riffs and hooks that you could catch Moby Dick with, like a Hazel song with Jody Bleyle singing lead.  Marilyn's lyrics don't rhyme, and they're so good it makes me ache a little.  They covered the Breeders' "Divine Hammer" when I saw them: they couldn't have picked a better fit.

UPDATE: I found Marilyn and Joe's old band from Bloomington, Aye Nako.  Sputtering sweet punk, and you can even hear two Fleabag songs on the myspace!  Internet persistance fucking paid off with the motherlode.

female troubles

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Yesterday was my annual trip to the lady-doctor.  And let me tell you, I have had only the most rad and pleasant experiences in this endeavor- I am a lucky kid.  Whilst pulling out the speculum, my preferred RNP at Planned Parenthood talked about how freaked out some women get about their annual exam- even her friends who are in the health care biz.  They get really stressed out, they get uncomfortable, they'd rather not be there.  Which is a deep bummer, because I actually kind of look forward to mine- I get to hang out with a really knowledgeable woman and talk about the wonders of the female reproductive system.

Anyway, she said that lots of women carry their stress in their abdomens.  And I was like, "holy cow!  That is EXACTLY what I do!"  This explains my totally visceral reactions to work anxiety, ex drama, general worrywort-ism.  Maybe this means I should take up yoga or meditation or something?  I guess it's better than ulcers, because those run in my family.  But I kind of feel that this is like when I get really bad cramps- clearly, my body is unhappy about something, and these are its ways of telling me, and if I just listen closely and interpret right, I can make myself healthier and my body happier.

Also, I would like to take a moment to talk about FAGRAG, who I saw last night.  They are like the super lo-fi no-wave bands I was listening to on Troubleman comps in 2002- dank and danceable.  Missoula, this is not what I expected.
Tour happens in one week.

Moving out of my house in two weeks.

This is what Friendship City has looked like lately:

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and


5376_604963072250_25902728_36055850_7446958_n.jpgand

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We have been the luckiest kids in the world.

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