In the morning after the Honey Hive show, we went to Berkeley to find breakfast. Marilyn from Fleabag recommended a Chinese vegetarian restaurant, but Claire and Sarah again went off in pursuit of "normal food."
We returned to the Honey Hive after breakfast, packed up, gave and received lots of hugs. Sarah and Claire got on the road right away, as usual, but Jessy and I were determined to stop at Amoeba before we left the Bay. We went back to Berkeley, wandered around Telegraph until we found Amoeba, and proceeded to act like total tourists.
As we drove south, we had been making a list of the records we needed in the car, albums that would make this The Ultimate Road Trip. These included Veruca Salt (Jessy and I had already decided to start a mid-90's style girl band), Indigo Girls, and Defiance, Ohio. We checked all of these things off at Amoeba. Uh, and then some.
(photo: me)
"We can't buy vinyl!" we told each other. "Seriously, that would be so dumb. That is a recipe for disaster. Vinyl in the hot car in August in California? WARP CITY."
So we only bought one seven-inch each. I got a Team Dresch. Jessy got this.
(photo: Jessy)
Then we started our trip to LA- it was already 3pm when we left Berkeley, and we had to be in LA by 9:30 or 10 (our set was at 11), so we would be cutting it close even without bathroom and food breaks.
We should've just stayed in the Bay. Our trip further south was clearly cursed from the outset. To begin with, we took the wrong freeway on-ramp and didn't realize it until we were half an hour out of Oakland and Jessy was like, "Um, isn't Sacramento north of the Bay?"
Fuuuck.
So by 5:00, we were going the RIGHT way down the freeway, and really, it wasn't so bad for most of the way- just freeway for miles and miles, nothing new.
In fact, we were only an hour or two out of LA- and, barring no further impediments, we'd make it to the club by 10:30- when we hit traffic.
Again, fuuuuck.
They were doing roadwork on 1-5. And yeah, it was like 9pm on a Sunday night, but in the mood I was in, it seemed like the most unreasonable construction decision IN THE WORLD. On top of this, Jessy and I were both getting realll tired; we had the A.C. on and the music loud.
Of course, the traffic did not really let up once we started getting to the LA exits. We were supposed to take the Pasadena Freeway exit, but we didn't realize there were multiple Pasadena Freeway exits (we wanted the fifth one, as it turned out) until we had driven for ten minutes with no sight of Broadway.
So we turned around and called Johanna for help. Johanna is Sarah's friend from high school workship band- post-evangelical megachurch adolescence, both turned homo and kept playing music, and now Johanna Chase is some sort of acoustic phenomenon to see. It was her birthday show that we were playing, at a club called the Airliner- the online reviews had us kind of worred, consisting of things like, "I saw the bartender beat a dude with a baseball bat outside of the venue last night"- but we knew Johanna wouldn't let us down.
So we called Johanna, and over the course of several freaked-out phone calls, she calmly coached us on which exits to take, until we finally got our bearings and pulled up outside of the Airliner.
Johanna's band had just started playing, and they were good. Probably not the sort of stuff I'd usually find to listen to on my own, but totally amazing. The room was full of Johanna's friends, and she was sweaty and beaming when she finished her set. All four of us were dazed and exhausted from the drive, but Johanna gave us huge hugs and the warmest welcome we could imagine.
Before our set, we sat on the back deck of the club, hanging out with Johanna's friends and the DJ's loud bass beats. I didn't expect to be able to see the stars in Los Angeles, but when there they were, in the warm LA sky, just a handful that were bright enough to be visible between the palm trees. And holy cow, it is midnight on a Sunday night, we are in the middle of LA on a beautiful night getting to play music with friends- how the fuck did it happen that we are the luckiest kids in the universe?
Tired beyond giddy (that was Oakland), now just bordering on incapacitating exhaustion, we set up our gear and barely sound-checked.

(photos: Jessy)
Our set was good, I think; but the folks were there for Johanna's birthday, to celebrate and hang out, and I'm not sure how much we were the sort of music they are into. But Johanna and several of her friends were in the back, clapping and dancing, and we played as hard as we ever do. A couple kids came up to us afterwards, saying they liked our set, which was really nice. Back on the deck, an acquaintance of Johanna's started talking to me. "How do you guys know Johanna?" and I explained the worship band --> gay story. "So is all of your band lesbian?" she asked, and I know she meant well; but it was odd having a stranger ask me point-blank about my sexual orientation. Maybe it wouldn't have been so weird if she hadn't seemed so clean-cut in a distinctly Christian sort of way, and hadn't asked it in a manner that so smacked of anthropological curiosity, rather than fellow-queerness or ally-solidarity.
"Well, uh ..." and I started to explain that we were all queer, that we all identify differently (and kept thinking of an old old Sleater-Kinney interview I read, where a fan was like, "So I know Janet is straight, and Corin is bi, and Carrie, you're a lesbian, right?" and Carrie acidly replied, "I'm glad you've got us all figured out so neatly ...").
She wanted to know more about what "queer" means, if it's not a bad word anymore- is she allowed to use it, even if she's not gay herself? And I was like, "yeah, if you're an ally and you hang out queers and stuff, I guess ..." I mean, I don't know- as one queer, is it a badge I get to give out to deserving straight folks, whether they get to use that word or not? It's one in the morning and I'm exhausted in LA, I don't even know which way is up and no, I can't tell you, well-meaning but confused gal, whether or not you get to use that word.
Then she asks the Big Question, that I kind of felt was coming for a while (come on, I didn't hang out a bunch of evangelical Christians in high school for nothing- I could see this one coming from miles away):
"So, where is your band at, spiritually?"
UHHHHHH
(Later that night, when I was relating this story to Claire and Sarah and Jessy, I got pretty riled up about this, cuz man, that's a real personal question; and how does MY personal spiritual identity have anything to do with these two other people in my band? How would I have any right to speak for all three of us on such a personal matter? And anyway, what right- not to mention the condescending moral self-righteousness implied in asking that question- does this drunk lady have to ask me this? But at the time, I was like, "whatever, baby steps, we're having a dialogue, now is not the time to be confrontational," etc.)
So I explained that I had grown up Catholic, and before I got anything further out of my mouth, she was like, "Oh! Me too! But only till I was 16," and before I knew it, we were discussing feminist theology (which, admittedly, is not the sort of conversation I have frequently, and was a pretty rad, albeit very watered-down, surprise). I learned that she is a fan of Sara Coakley but not Mary Daly. Fair enough. She is going to get her "M. Div." at Duke and then wants to work in inner cities doing sustainability stuff, but when I mentioned that we had been in Oakland last night, she was like, "whoa, that place is scary, right?"
And I was like, "Girl. You say you're going to the inner cities? GOOD FUCKING LUCK."
Except I only said that part in my head, along with a lot of other muttering about evangelical Christianity and class and race and privilege that I then unloaded on J Murph when we were in the car the next day.
And this whole time, the next band was setting up, even though it was already past last call; they had a ton of laptops and other gear, and were having a series of problems with all of their cords. I extricated myself from the conversation, and Jessy and I headed to the car to get some sleep instead of finishing out the show. We passed out immediately, not waking up until Claire knocked on the window for us to load out our stuff. Claire got a hotdog from a street vender outside of the club and I saw two cockroaches scuttle across the sidewalk. "Welcome to LA," one of Johanna's friends triumphantly told us.
We followed Johanna and her friends to their two houses- "it's real close" means I guess a 20-min drive in LA terms, maybe. The houses were huge and Jessy and I couldn't figure it out- what was this house full of college kids doing in a mansion in the middle of a street full of mansions? Johanna showed us the studio she was building in the garage (the real deal, control room and everything).
Then we had to figure out our plan for the next day. We were supposed to be in Arcata by 8:30 the next night, which would be a ten hour drive. Already, it was 3 am, which would give us absolutely no more than five hours, at the most, to sleep. Claire thought it was totally unsafe for us to try to make that drive- Sarah hadn't brought her glasses, and therefore couldn't drive for more than an hour at a time, and Claire couldn't sleep in the car, and neither Jessy nor I could drive Claire's car, because we couldn't drive a stick. On the other hand, I was afraid that we would be burning bridges in Humboldt County if we didn't play the show, and the booker for the Arcata show had been one of the nicest, most helpful people I encountered when I was booking the tour, and I felt personally accountable.
Eventually, we decided to sleep in until 10 am and then figure it out from there, see how the drive was going, maybe be late, and just call the booker and let him know where we were at.
That decided, Jessy and I passed out in some girl's bed who was out of town, and Claire and Sarah went down the street to stay at Johanna's house.
What a night.
We returned to the Honey Hive after breakfast, packed up, gave and received lots of hugs. Sarah and Claire got on the road right away, as usual, but Jessy and I were determined to stop at Amoeba before we left the Bay. We went back to Berkeley, wandered around Telegraph until we found Amoeba, and proceeded to act like total tourists.
As we drove south, we had been making a list of the records we needed in the car, albums that would make this The Ultimate Road Trip. These included Veruca Salt (Jessy and I had already decided to start a mid-90's style girl band), Indigo Girls, and Defiance, Ohio. We checked all of these things off at Amoeba. Uh, and then some.
"We can't buy vinyl!" we told each other. "Seriously, that would be so dumb. That is a recipe for disaster. Vinyl in the hot car in August in California? WARP CITY."
So we only bought one seven-inch each. I got a Team Dresch. Jessy got this.
Then we started our trip to LA- it was already 3pm when we left Berkeley, and we had to be in LA by 9:30 or 10 (our set was at 11), so we would be cutting it close even without bathroom and food breaks.
We should've just stayed in the Bay. Our trip further south was clearly cursed from the outset. To begin with, we took the wrong freeway on-ramp and didn't realize it until we were half an hour out of Oakland and Jessy was like, "Um, isn't Sacramento north of the Bay?"
Fuuuck.
So by 5:00, we were going the RIGHT way down the freeway, and really, it wasn't so bad for most of the way- just freeway for miles and miles, nothing new.
In fact, we were only an hour or two out of LA- and, barring no further impediments, we'd make it to the club by 10:30- when we hit traffic.
Again, fuuuuck.
They were doing roadwork on 1-5. And yeah, it was like 9pm on a Sunday night, but in the mood I was in, it seemed like the most unreasonable construction decision IN THE WORLD. On top of this, Jessy and I were both getting realll tired; we had the A.C. on and the music loud.
Of course, the traffic did not really let up once we started getting to the LA exits. We were supposed to take the Pasadena Freeway exit, but we didn't realize there were multiple Pasadena Freeway exits (we wanted the fifth one, as it turned out) until we had driven for ten minutes with no sight of Broadway.
So we turned around and called Johanna for help. Johanna is Sarah's friend from high school workship band- post-evangelical megachurch adolescence, both turned homo and kept playing music, and now Johanna Chase is some sort of acoustic phenomenon to see. It was her birthday show that we were playing, at a club called the Airliner- the online reviews had us kind of worred, consisting of things like, "I saw the bartender beat a dude with a baseball bat outside of the venue last night"- but we knew Johanna wouldn't let us down.
So we called Johanna, and over the course of several freaked-out phone calls, she calmly coached us on which exits to take, until we finally got our bearings and pulled up outside of the Airliner.
Johanna's band had just started playing, and they were good. Probably not the sort of stuff I'd usually find to listen to on my own, but totally amazing. The room was full of Johanna's friends, and she was sweaty and beaming when she finished her set. All four of us were dazed and exhausted from the drive, but Johanna gave us huge hugs and the warmest welcome we could imagine.
Before our set, we sat on the back deck of the club, hanging out with Johanna's friends and the DJ's loud bass beats. I didn't expect to be able to see the stars in Los Angeles, but when there they were, in the warm LA sky, just a handful that were bright enough to be visible between the palm trees. And holy cow, it is midnight on a Sunday night, we are in the middle of LA on a beautiful night getting to play music with friends- how the fuck did it happen that we are the luckiest kids in the universe?
Tired beyond giddy (that was Oakland), now just bordering on incapacitating exhaustion, we set up our gear and barely sound-checked.
Our set was good, I think; but the folks were there for Johanna's birthday, to celebrate and hang out, and I'm not sure how much we were the sort of music they are into. But Johanna and several of her friends were in the back, clapping and dancing, and we played as hard as we ever do. A couple kids came up to us afterwards, saying they liked our set, which was really nice. Back on the deck, an acquaintance of Johanna's started talking to me. "How do you guys know Johanna?" and I explained the worship band --> gay story. "So is all of your band lesbian?" she asked, and I know she meant well; but it was odd having a stranger ask me point-blank about my sexual orientation. Maybe it wouldn't have been so weird if she hadn't seemed so clean-cut in a distinctly Christian sort of way, and hadn't asked it in a manner that so smacked of anthropological curiosity, rather than fellow-queerness or ally-solidarity.
"Well, uh ..." and I started to explain that we were all queer, that we all identify differently (and kept thinking of an old old Sleater-Kinney interview I read, where a fan was like, "So I know Janet is straight, and Corin is bi, and Carrie, you're a lesbian, right?" and Carrie acidly replied, "I'm glad you've got us all figured out so neatly ...").
She wanted to know more about what "queer" means, if it's not a bad word anymore- is she allowed to use it, even if she's not gay herself? And I was like, "yeah, if you're an ally and you hang out queers and stuff, I guess ..." I mean, I don't know- as one queer, is it a badge I get to give out to deserving straight folks, whether they get to use that word or not? It's one in the morning and I'm exhausted in LA, I don't even know which way is up and no, I can't tell you, well-meaning but confused gal, whether or not you get to use that word.
Then she asks the Big Question, that I kind of felt was coming for a while (come on, I didn't hang out a bunch of evangelical Christians in high school for nothing- I could see this one coming from miles away):
"So, where is your band at, spiritually?"
UHHHHHH
(Later that night, when I was relating this story to Claire and Sarah and Jessy, I got pretty riled up about this, cuz man, that's a real personal question; and how does MY personal spiritual identity have anything to do with these two other people in my band? How would I have any right to speak for all three of us on such a personal matter? And anyway, what right- not to mention the condescending moral self-righteousness implied in asking that question- does this drunk lady have to ask me this? But at the time, I was like, "whatever, baby steps, we're having a dialogue, now is not the time to be confrontational," etc.)
So I explained that I had grown up Catholic, and before I got anything further out of my mouth, she was like, "Oh! Me too! But only till I was 16," and before I knew it, we were discussing feminist theology (which, admittedly, is not the sort of conversation I have frequently, and was a pretty rad, albeit very watered-down, surprise). I learned that she is a fan of Sara Coakley but not Mary Daly. Fair enough. She is going to get her "M. Div." at Duke and then wants to work in inner cities doing sustainability stuff, but when I mentioned that we had been in Oakland last night, she was like, "whoa, that place is scary, right?"
And I was like, "Girl. You say you're going to the inner cities? GOOD FUCKING LUCK."
Except I only said that part in my head, along with a lot of other muttering about evangelical Christianity and class and race and privilege that I then unloaded on J Murph when we were in the car the next day.
And this whole time, the next band was setting up, even though it was already past last call; they had a ton of laptops and other gear, and were having a series of problems with all of their cords. I extricated myself from the conversation, and Jessy and I headed to the car to get some sleep instead of finishing out the show. We passed out immediately, not waking up until Claire knocked on the window for us to load out our stuff. Claire got a hotdog from a street vender outside of the club and I saw two cockroaches scuttle across the sidewalk. "Welcome to LA," one of Johanna's friends triumphantly told us.
We followed Johanna and her friends to their two houses- "it's real close" means I guess a 20-min drive in LA terms, maybe. The houses were huge and Jessy and I couldn't figure it out- what was this house full of college kids doing in a mansion in the middle of a street full of mansions? Johanna showed us the studio she was building in the garage (the real deal, control room and everything).
Then we had to figure out our plan for the next day. We were supposed to be in Arcata by 8:30 the next night, which would be a ten hour drive. Already, it was 3 am, which would give us absolutely no more than five hours, at the most, to sleep. Claire thought it was totally unsafe for us to try to make that drive- Sarah hadn't brought her glasses, and therefore couldn't drive for more than an hour at a time, and Claire couldn't sleep in the car, and neither Jessy nor I could drive Claire's car, because we couldn't drive a stick. On the other hand, I was afraid that we would be burning bridges in Humboldt County if we didn't play the show, and the booker for the Arcata show had been one of the nicest, most helpful people I encountered when I was booking the tour, and I felt personally accountable.
Eventually, we decided to sleep in until 10 am and then figure it out from there, see how the drive was going, maybe be late, and just call the booker and let him know where we were at.
That decided, Jessy and I passed out in some girl's bed who was out of town, and Claire and Sarah went down the street to stay at Johanna's house.
What a night.

