Why 2010 will be the year of the Riot Grrrl revival (if we want it to be)
Face it, we NEED a revival. No less than Carrie Fuckin' Brownstein herself was on her own soapbox in November (we shop at the same 'box boutique), decrying the marshmallow beard-rock that shies away from engaging in the uncomfortable or confrontational. And Pitchfork celebrates, even elevates, apolitical musicians above the rest, leaving us all to think that there's no place for politics in our scene.
I say, "Fuck that." And, while we're at it, "Fuck Pitchfork" and
"fuck co-opting of the female experience" (how many all-dude bands out
there are called Girls or Religous Girls or Women??). We need
confrontational, feminist music now more than ever, what with the
continuous assault on reproductive rights, equal rights for lgbtq
individuals and immigrants, the erosion of workers' rights, and many,
many other human rights issues. What better way to spread word and
awaken consciousness than through some catchy friggin' jams?
I love those guys. they are great. they tell me about Beatles butcher covers and what it was like going to high school with Iggy Pop.
but the weird ones- I can't be rude, exactly, because (duh) I am working in retail. what do I do when they want to get into long rambling tirades about "music today" or girl pop stars or whatever the subject-of-the-day happens to be? I tried to fight fire with fire, answering in barely-civil monosyllables; but you know, when some old man is going to talk to you for 15 minutes, unprompted, without letting you get a word in edgewise, they probably also lack the appreciation of other subtle social cues that would clue them into my disinterest or discomfort.
so now I speak to them in their own language. dude wants to talk to me about rare Duran Duran album art? old man wants to tell me about every single Jeff Beck concert he's ever been to? GREAT. just hold on a second while I put on Crass' "PENIS ENVY." no, that's fine, keep talking- yeah, yeah, totally, Cream, Clapton, the greatest, I know.
because Eve and Joy muttering, "what the FUCK are you thinking. what the FUCK are you seeing" in the background makes any gross customer service experience more manageable.
b] move over, Rock Camp for Girls, and:
c] Hey, my childhood! Thanks for SUCKING! When I was ages 9 to 19, we didn't have "activities" or "female empowerment" or "stuff to do."
her book 100 BUTCHES comes out in April, and I am holding my breath until then.
from an old interview:
EL: Actually "100 Butches" hasn't truly been about butches, I've just been drawing who I'm attracted to. People I'm attracted to as lovers, friends or role models, are often described as butches. So I often take whoever I find sexy and try to jam them into the panels. I hope it helps stretch definitions/ lets me ramble about my crushes.
AT: Where does your fascination with butch identity come from?
EL: Ever since my first crush punched me. There was some definitely some early butch-lust there. This is a question that I hope the comic helps me answer. Maybe if I can line up 100 personal stories, at the end of the day I'll figure out why I let her punch me.
Sourpatch - i want you either way from Richard Gutierrez on Vimeo.
good, bad, it doesn't matter; I just want to put my head in that space of song-making every day, so I stop thinking that every single musical idea that I wring out of my skull is rare and precious and must be molded into a song, because who knows when the next decent one will come along. I want to document so many different musical thoughts that I will actually have enough to sort out the worthwhile ones from the less-so. then maybe writing a song will become something that is less torturous of a process, because I don't think that's how it's supposed to be.
also, Riley made some boob pictures for her class. I like them a lot. I would hang one of them on my wall, totally.

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